Large-format posters, POS displays and fine-art giclée prints up to B0+ in offset, digital and UV flatbed.
Retail and event posters in A3, A2, A1, A0 and B0 — offset or wide-format digital.
Rigid POS pieces — foam-core, PVC, corrugated and shelf wobblers.
10-color pigment-based giclée on archival cotton rag and Hahnemühle papers.
Vinyl, mesh and fabric banners with grommets, hems and pole pockets.
Posters mounted to foam board, dibond, acrylic, with optional framing and hanging hardware.
Removable peel-and-stick wallpaper and pre-pasted murals for retail environments.
| Substrate | Coated & uncoated poster paper 130–250 gsm, archival fine-art papers, PVC, vinyl, mesh, fabric, foam-core. |
|---|---|
| Print method | Sheet-fed offset (up to B1), wide-format latex and UV flatbed (up to 3.2 m), giclée pigment printing. |
| Finishing | Lamination (matte/gloss/anti-graffiti), grommets, hems, pole pockets, mounting, framing. |
| Sizes | A3 to B0+, custom and oversized up to 3.2 m wide, rolled or shipped flat. |
| Color | G7-calibrated color management. Pantone matching on offset. ICC-profiled fine-art workflow. |
| MOQ | 1 unit (digital), 100 units (offset). |
| Lead time | 3–7 days (digital), 8–14 days (offset) + transit. |
Sheet-fed offset up to B1 is the choice for runs from 100 up — retail and event posters on 130–250 gsm coated or uncoated stock with true Pantone matching and the lowest unit cost at volume. Wide-format latex and UV flatbed handle the big and the rigid: banners, backdrops and POS up to 3.2 m wide, printed straight onto PVC, foam-core, corrugated, fabric or dibond.
For gallery and display work, a 10-colour pigment giclée process prints onto archival cotton-rag and Hahnemühle papers through an ICC-profiled workflow with lightfast inks — the difference between a poster that reads well for a season and a print that holds colour for years.
Display and POS pieces take matte, gloss or anti-graffiti lamination and can be mounted to foam board, dibond or acrylic, or framed with hanging hardware. Outdoor banners are hemmed and fitted with grommets or pole pockets in vinyl or mesh so wind passes through. Removable peel-and-stick wallpaper and pre-pasted murals turn a whole retail wall into artwork.
Colour is held with G7 grey-balance calibration and Pantone matching on offset, plus an ICC-profiled fine-art pipeline for giclée, so a campaign printed across offset and wide-format still reads as one brand colour. Digital runs start at a single copy with a 3–7 day turnaround; offset runs of 100+ take 8–14 days. Large posters ship rolled in tubes or flat on board depending on stock and finish.
Short-life indoor promotion prints economically on 130–200 gsm coated poster paper. Repositioned or handled pieces move up to 250 gsm with a matte or gloss laminate for scuff and fingerprint resistance. Anything facing weather, sun or public contact goes onto PVC, mesh or fabric with UV-stable latex or UV-flatbed inks, and takes an anti-graffiti or UV laminate so colour holds outdoors for seasons rather than weeks.
For gallery and archival work the fine-art pipeline uses pigment inks rated for lightfastness on cotton-rag stock. We advise on the trade-off between paper feel, durability and cost up front, so the substrate suits the display life you actually need — not an over-spec that inflates the quote.
Send specs, artwork or a Pinterest reference — our team responds within one business day with a tailored quotation.
Request a quoteRetail, event, and gallery-grade posters in custom sizes, using offset or large-format pigment output.
Yes. Archival papers and premium coated/uncoated stocks are available for gallery and display use.
Yes. We produce bulk retail and promotional poster campaigns with consistent colour across the run.
